{"id":3085,"date":"2020-11-13T10:15:46","date_gmt":"2020-11-13T09:15:46","guid":{"rendered":"http:\/\/sop-records.org\/?p=3085"},"modified":"2020-11-13T10:15:48","modified_gmt":"2020-11-13T09:15:48","slug":"twentytwenty","status":"publish","type":"post","link":"https:\/\/sop-records.org\/?p=3085","title":{"rendered":"Twentytwenty"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Nemirno-tema\u010dnja\u0161ki solo naslednik, fusionesque moderne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oziroma:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8216;Twentytwenty&#8221; is a continuation, an extension of a few months older Trinajst&#8217;s debut &#8216;Culture of Ongoing Violence, Insecurity and Distress&#8217;. Although in its essence it&#8217;s a similar musical journey based around cornucopia of rather dismal global events, it&#8217;s also a step forward from a mere bedroom experiment to a more focused take on various musical shapes. Extending from oppressive sludgy vibes all the way to explosive jazz and playful electronic music, it offers a befitting soundtrack to 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Music, artwork &amp; design by Trinajst<br>Piano in &#8216;Freedom As An Obsolete Primitive State&#8217; by Alen Gri\u017eoni\u010d<br>Mixing and mastering by Santiago Ponce de Le\u00f3n in October\/November 2020<br>Released by Storm Inside Records and \u0160OP Records<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2119351006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless><a href=\"https:\/\/soprecords.bandcamp.com\/album\/twentytwenty\">Twentytwenty by Trinajst<\/a><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prostor za \u0161aljiv povzetek. Prostor za \u0161aljiv povzetek ne more biti null, ker se samo dej no! pove\u010duje. To je ona rekla.<\/p>\n","protected":false},"author":1,"featured_media":3086,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,78],"tags":[],"class_list":["post-3085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-izlivi-kreative","category-trinajst"],"wps_subtitle":"Trinajst","_links":{"self":[{"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/posts\/3085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sop-records.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3085"}],"version-history":[{"count":2,"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/posts\/3085\/revisions"}],"predecessor-version":[{"id":3088,"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/posts\/3085\/revisions\/3088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sop-records.org\/index.php?rest_route=\/wp\/v2\/media\/3086"}],"wp:attachment":[{"href":"https:\/\/sop-records.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sop-records.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sop-records.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}